“PTC’s ‘Much Ado About Nothing’ is so effervescent and infectiously enjoyable that it very nearly snaps, crackles and pops.”
“The company illuminates Shakespeare’s brilliant comedic repartee while commendably balancing the more serous reflections on honor and shame.”
“…As he envisioned, the immensely talented Matt August has made Shakespeare cool. Through his sprightly directing, the audience is easily engaged in the story.” “…the acting is universally strong. Both Shakespeare veterans and amateurs will delight in this expert PTC production.”

“Even if you’re intimately familiar with MUCH ADO, there is plenty to love in this creative adaptation by director Matt August, from several excellent performances and new twists on old dialogue, to the stunning set design and costumes.” “…August’s gamble on placing his MUCH ADO in the Middle Ages pays off. For both audience and performers, the twist makes the show feel new.”

“Matt August’s direction of Much Ado offers a reminder that [Shakespeare productions] can provide be a rich playground for slapstick.”
“The [gulling] scenes are hilariously staged…Smith and Watson may be even better when tying their bodies into knots as Beatrice and Benedick try to convince themselves they’re not falling in love. Throw in the inept constable Dogberry and his “watch” composed of children, and this MUCH ADO feels as much like giddily choreographed silent-screen humor as it does highbrow thee-ay-tuh.”